Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. Austin, or any man of similar dimensions, would have found wholly impossible. They got on wonderfully well together. It was decrepit and too large.
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